linen dishcloth

When the countertops and cutting boards, the faucets and the sink are all wiped down with a good clean cloth, I’m quite content. Keeping a stack of sturdy, beautiful cloths around for that purpose makes me feel a little more calm. I once hand-stitched a linen cloth and four years later it is still in excellent condition. Linen is stronger when wet, so it is ideal for the task. I imagine it doesn’t get musty or stain as easily, but I might just take extra care to hang it to dry, because it’s beautiful. Now I make them for the tried & true series in the shop. Useful, perennial favourites.

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Like rustic clothing, the difference between store-bought and handmade is often its strength. They’re certainly not cheaper than the imported cotton dishcloths I can easily buy, but then they last so long, and please me so much.

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To care for these linen cloths, I just throw them in the wash as usual, cold or medium, with a drop of tea tree oil to kill any germs. You can throw them in a medium dryer too, though it’s best to take them out while still damp, lay them on a flat, waterproof surface like the top of the dryer, and block them. Block them?

linen-cloth-pewter

Blocking is what you do to shape any knit, woven, crocheted piece, and is simple arranging it back into shape and allowing it to dry that way. You can get fancy with special pins and boards, if you were blocking pieces of a sweater before sewing it, so that it would fit perfectly together. But for the linen dish cloths, you’re just laying them flat while they’re wet or damp, and patting, pulling, shaping back to a square, then leaving them to dry. Shaping is ten-second task. No harm in skipping this part, either. It does please me to see them back in their fine shape.

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Like the candlesticks, each one is unique, each one a variation in pattern. A little bit simple, a little bit ornate, and thoroughly handmade. I adore the texture and gloss of wet-spun linen, at once hardy plant fibre and fine silk, artless pastoral and opulence combined.

One bright day soon I’ll have the fine folks from Flax-to-Linen round to the lake to demonstrate the wonderful process of transforming flax to gold. Stay tuned. There’s a wonderful old bit of Canadiana on the subject, too.

linen-cloth-natural

The linen cloths make a nice accompaniment to the natural sponge, my trusty stiff brush, and a stack of colourful tea towels. Elegant tools make the work far easier, far more agreeable, I think.

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If you’re in Vancouver, pick out your favourite handmade linen cloths on Main Street at the fabulous shop, Nineteen Ten. They have appleturnover’s handthrown candlesticks too!

hopscotch

Peevers, peeverels, pabats, piko, bebeleche, kith-kith, laylay, potsy, pon, delech, avioncito, scotch hobbies, hop-score! Peregrina, rayuela, bebeleche, amarelinha, rrasavi, thikrya, marelle ronde, himmel und hölle, hopscotch! When a game dates back to the 17th century, and possibly to the Romans, it usually passed through cultures and played around the world, with variations in name and technique accordingly. Here’s an illustrated guide to hopscotch, one of those good old fashioned games that hasn’t wavered in popularity these four hundred years. Unlike jacks and marbles, there’s no need for revival, no generation missed – long live scotch hobbies!

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First, toss the pebble into a square, not touching any scotches or scores.

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Then hop, not touching a line, nor falling out, or forfeit.

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Land on a pair with one foot neatly inside each square.

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Leap over the square with the stone.

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Hop. If one has no chalk and paving, a stick in the dirt will do. I admire a game with great simplicity of materials.

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Turn at the end. Some variants have a safe square there, or a semicircle, for turning.

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Pick up the marker, don’t lose your balance! And hop through. We shall have to try the variant which requires you to kick the marker along with you.

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Sometimes we draw the spiral variation as in the French marelle ronde or escargot.

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Grace, balance, aim.

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We write numerals in, in contemporary fashion, but a square is all that’s needed.

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There’s a good simple game. Did you grow up playing this one?

country dance

Not so long ago, when we first thought of leaving London for a tiny village in Sussex, a village fair (with Buster Keaton playing in the hall!) and a barn dance persuaded us that we’d found our community. Glorious fiddling, young and old dancing round a barn at the local farm, beautiful food on the tables from the land around. We met such fine friends there, and we miss them very much. So, here in the tiny community surrounding our new island home in the forested Highlands, with great joy, we went to our first country dance at the old schoolhouse.

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Some of us were so excited, we began before the accordion started, even as the potluck was being packed away.

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Here is the caller, stepping in to dance with my small one to round out the pairs. Later she danced with our beloved village elder, now in his nineties, youngest and eldest.

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These are simple dances, and deceptively so. We were astonished at how flushed and tired we could get! Country-dance workout. We’ve been reading Austen all winter, and watching films of her books, so a dance like this echoes stories across history. “A ball? I long for a ball!”

the old schoolhouse

Out of the old schoolhouse, back into the world of snow and ice.

stoneware candlesticks

Learning to throw all kinds of things on the pottery wheel is a joyful thing! One of my greatest delights was to learn to make useful, beautiful, ornate candlesticks. These form the first part of my new collection for appleturnover, a series of handmade tried & trues.

stoneware candlesticks

Over the last couple of years I’ve found my rhythm, making them. I center a base of clay on the wheel, and pull it up very narrowly. The trick is to keep a finger tucked in the spinning top of the candlestick, once delicate fingers have formed that shape, to steady it as the undulating forms below it are pinched. I love the concentration required, meditative and therapeutic.

stoneware candlesticks

I’m inspired by ornate, baroque forms, and a pale and muted, aged european sensibility. I’m playing with variations in shape with these, and different sizes, like chess pieces, the queen, the pawn. I’m particularly fond of the elegant way that beeswax drips off their curves.

stoneware candlesticks

These are stoneware candlesticks, fired hot, with a smooth, matte glaze that I’ve been told looks a bit edible, like a glaze of icing on pastry. Combined with the intoxicating scent of my children’s hand-dipped beeswax candles, we should be a bit ravenous for honey and cake all through the winter. Not a bad state to be in, really.

stoneware candlesticks

I’m throwing them in the local studio along the winding road through the forest surrounding our cottage. My children still want me to make an old fashioned candleholder with a curved handle to carry around. Perhaps they imagine themselves walking around with an open flame, wearing Dickensian nightshirts?

stoneware candlesticks

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p>Have a look at the new collection of stoneware candlesticks and other tried & trues in the shop.