We gathered our newly acquired printmaking tools around a shady table in the garden, and spent the afternoon carving the linocuts. Would you like to try it?
Have a couple of blades, a v-blade and a rounded gouging blade, and a handle or two, a pencil and eraser, and a sheet of printing linoleum. Our table had an uneven spot where we could brace the linoleum as we worked, but a bench is ideal. Strong shears to cut the piece to size later are also useful. Draw a simple design, nothing too detailed, keeping in mind that you’ll be working with subtractive cutting - slicing away around the image, leaving the drawing raised to take the ink. I’ve begun by translating a bit of my logo.
We were working on a very warm day, otherwise it is a great idea to carefully warm the linoleum near a lightbulb, or with a hairdryer, to make it easier to work. Following our wood-carving practices, we outlined the shapes with the v-shaped blade. Always cut away from you! (Mind that children are carefully supervised and taught to keep little hands out of the way of blades. A good first aid kit is worth having nearby!)
Wiggle the blade a little as you cut to help it move without jumping away with the pressure. Slow and steady. Once all the lines are cut, take them a little deeper with the little v-blade. Like wood, if the cuts are nice and deep, it will prevent the drawn area from being lifted or damaged as the material in the negative space is cut away from the image.
Use the rounded blade to begin to lift the linoleum from around your image, again with a slow wiggle, working away from you.
If your first cuts are deep enough, you can cut right up to them without fear of nicking the image. Begin to clear a low-relief of linoleum.
I sheared the piece down to size with some heavy snips, as I was working a petite image. Later I’ll mount the matrix on a block of wood for easy stamping, but this isn’t necessary. My tall girl was capable of cutting her own subtractive pieces, but I carved the small one’s drawings out with her, holding the tool together, usually just cutting away the drawing itself.
A flat-sided blade seemed just the thing to smooth out the negative space. Do you think that’s what it was for? Sometimes I’d rather go ahead and do it, with a guess, than wait to be correct, and never do it! (Yes, I did later attack the surface of my piece to give it texture, it wasn’t a mistake!)
All ready for inking, or mounting on a block and stamping! I’m delighted with it. Drawing, carving, printmaking are such pleasurable old skills. Working with my hands is a meditation for me. Next, printing! Will you join me? Back with that soon.
click the image to see a larger version.